31.8.12

Film Matter: Kodak, what's next?

We have already became accustomed to various news from Kodak. Some time ago, they stated film manufacturing is one of the few remaining profitable sectors. Then, they said they will discontinue slide film production, but will keep the remaining film product line alive. Then the last news is they intend to sell the film business simply because they need to clear their 660M$ debts. I think Kodak behaves much like a ship without compass. How much of this misbehavior is due to Antonio Perez' leadership is another question and not the most crucial one. But it is very sad if we should witness the final decay of such a glorious brand and more importantly, their excellent line of film products! In case they sell the film line, we can only hope they sell it to a responsible owner, taking care and advantage of their glorious emulsions like TriX, Ektar, TMax and others! And the bottomline question: are you ready for the next news from Kodak?

30.8.12

Film Matter: The Impossible 8x10 Film is launched!

Dear Readers,
I am sure all of you have (at least) heard about the efforts made by the team of the Impossible Project. Some of you are also using their products already. These people made a terrific effort in bringing back the instant integral film, once Polaroid products went away for good. Although on a small budget and on a very short deadline, they made it happen. And they made it happen once again! Today they started selling the 8x10 film-not the old Polaroid stock, but from their own production! Yes, they have been already working on the ultra-large format 20x24 film, jointly with the 20x24 studio, but that's a niche product par excellence, given also its prohibitive price... Instead, the 8x10 film is meant to be affordable to a larger number of photographers, albeit it won't be cheap (but still cheaper than old Polaroid stock). Here is their brief description about the film.

An "official" test shot made on the new film. Photo by Jennifer Trausch, retrieved from http://www.the-impossible-project.com
I must admit, I have never been particularly interested in instant film, especially not in integral instant film, due to its drawbacks. Only lately, I quite fell in love with the peel-apart ("pack") film made by Fuji and used on an old Polaroid Land camera. But that's another story for another day. In the meantime, we can just wish the Impossible Team will make their product prices more affordable.
Mitja


29.8.12

Portfolio of the Week: Anna Gawlak


Dear Readers,
It's a pleasure to be back after a hiatus! This week we feature a young self-taught Polish photographer, Anna Gawlak, from Krakow. Her analog photographic journey is relatively short, time-wise, but nevertheless, her talent is so obvious. She works in both 35 mm and medium format using her Canons T70, T90, AE1, and a Kiev 60.
By her own words: »I really don't know why I take a pictures. I suppose that is for me like a spinning a tale: spooling a film, snapping photographs, composing them... The narrative about calmness and naturalness. Calmness is more than lack of movement - I cannot stop searching it everywhere I am. Searching the naturalness means trying to pick out what is true and simple in the world - I cannot stop doing it.
But, first and foremost, my own story is about big, big love. I love the world: light, colour, contrast, symmetry, trees, tasty food, buildings, doors, feet, ankles, eyes. I love the human being. Everywhere I am - I cannot stop searching.
And all that makes the simple pleasures of life.
I like a film because I like learning new things. And learning to be patient belongs to them. 36 photos... it is very much!:) Besides, when I have to do 36 images I must be and I want to be more sensitive.«
It's just so good to hear over and over again how people get sentimental when using film, and Anna's position is also very philosophical, I think. I think also that her photos are very much zen-like, a celebration of simplicity in the best sense. Anna's work can be found on Flickr and Thumblr.









All photos copyright: Anna Gawlak